Stella Cæli: in tempore pestis
This solo EP (five tracks, 17 minutes of music) was recorded during the Great Plague of 2020. The repertoire includes hymns and instrumental music from the era of the Black Death of 1346-1353, centered around "Stella Cæli: in tempore pestis" a hymn to the Blessed Virgin Mary written during the plague.
Track listing:
1-Salve Regina,
2-Stella Cæli (instrumental)
3-Stella Cæli
4-Saltarello/Trotto
5-Ave Maris Stella
Peter Walker - voice, bagpipe, symphonia, harp
To buy a hard copy of the album click here:
Kunaki.com/Sales.asp?PID=PX00UBTN9L&PP=1
For digital downloads click here:
Kunaki.com/DigitalSales.asp?PID=PX00UBTN9L
This solo EP (five tracks, 17 minutes of music) was recorded during the Great Plague of 2020. The repertoire includes hymns and instrumental music from the era of the Black Death of 1346-1353, centered around "Stella Cæli: in tempore pestis" a hymn to the Blessed Virgin Mary written during the plague.
Track listing:
1-Salve Regina,
2-Stella Cæli (instrumental)
3-Stella Cæli
4-Saltarello/Trotto
5-Ave Maris Stella
Peter Walker - voice, bagpipe, symphonia, harp
To buy a hard copy of the album click here:
Kunaki.com/Sales.asp?PID=PX00UBTN9L&PP=1
For digital downloads click here:
Kunaki.com/DigitalSales.asp?PID=PX00UBTN9L
Twa Corbies: Out of the Mist
The early medieval music of the British Isles is shrouded in the proverbial mists of time. More deeply, even, than the music of Western Europe. This is due in part to the cultural and linguistic upheaval of the Norman Conquest of 1066, and the widespread destruction of artifacts wreaked during the Suppression of the Monasteries of 1536-1541. Medieval Britain was a cultural and linguistic crossroads, where the Norse of the Danelaw and the Anglo-Saxon of Wessex, Mercia, and Northumberland coexisted with the Venerable Bede's Latin, and all three blended with Norman French to create Middle English. This program brings together music from a variety of sources to tell the story of this tumultuous world. The earliest known poem in the Anglo-Saxon language, a song attributed to the legendary Viking king Ragnar Loðbrok, music from the medieval cathedrals of Dublin and Glasgow, polyphony from Orkney Islands, and one of the first Middle English love songs.
Performers:
Peter Walker - baritone, Kravik lyre, medieval harp, kantele, bagpipes
Brian Kay - tenor, Sutton Hoo lyre, medieval lute, pipe, tabor
To buy a hard copy of the album click here:
Kunaki.com/Sales.asp?PID=PX00ZCS5P1&PP=1
For digital downloads, click here:
Kunaki.com/DigitalSales.asp?PID=PX00ZCS5P1
The early medieval music of the British Isles is shrouded in the proverbial mists of time. More deeply, even, than the music of Western Europe. This is due in part to the cultural and linguistic upheaval of the Norman Conquest of 1066, and the widespread destruction of artifacts wreaked during the Suppression of the Monasteries of 1536-1541. Medieval Britain was a cultural and linguistic crossroads, where the Norse of the Danelaw and the Anglo-Saxon of Wessex, Mercia, and Northumberland coexisted with the Venerable Bede's Latin, and all three blended with Norman French to create Middle English. This program brings together music from a variety of sources to tell the story of this tumultuous world. The earliest known poem in the Anglo-Saxon language, a song attributed to the legendary Viking king Ragnar Loðbrok, music from the medieval cathedrals of Dublin and Glasgow, polyphony from Orkney Islands, and one of the first Middle English love songs.
Performers:
Peter Walker - baritone, Kravik lyre, medieval harp, kantele, bagpipes
Brian Kay - tenor, Sutton Hoo lyre, medieval lute, pipe, tabor
To buy a hard copy of the album click here:
Kunaki.com/Sales.asp?PID=PX00ZCS5P1&PP=1
For digital downloads, click here:
Kunaki.com/DigitalSales.asp?PID=PX00ZCS5P1
